Gitarre und Bass is a German monthly quality magazine for musicians Ð
especially for guitarist and bass-players.
MG-Guitars 1A Premium Model
How can
lap and steel go together? Is this about medieval birth-control? No, completely
wrong: this is about the oldest type of an electric guitar, the lap steel
guitar. It all started with the Rickenbacker Frying Pen in 1931 and since then
both guitarists and luthiers have been fascinated by this sound.
Also in
Germany inventors dedicate themselves to this peculiar sort of guitar. One of
them is Michael Gštz from Hofheim in Bavaria. He wants to enter the market of
high-class handcrafted guitars and sent us a 1A Premium Model which has undoubtedly
nothing to do with low budget.
Construction
Finest
craftsmanship is what I see lying in the case in front of me. To start playing right
away, Michael Gštz even added a thumb-pick and a steel bar. How gentle! But
first let us take a look at the construction of the instrument. The one-piece,
massive body-neck-head construction is made of sapelli-mahogany. Up to the
first fret its thickness is 43 mm. The surface of the body shows an impressive
bookmatched-cut cocobolo with maple binding. A cocobolo layer is attached to the
head-plate as well. Strings go through the body, pass the maple bridge with
bone-inlay and run in a distance of 8 mm over the fingerboard that actually
never gets touched. It is also made of maple, fret-borders are walnut. It seems
strange, however, that the fingerboard broadens from the first to the 24th
fret up to 67 mm, whereas the string-spacing in the 24th fret only
measures 51 mm. The 1A Premium Model has a bone saddle and Kluson locking
tuning machines in faded gold. The Seymour Duncan Jeff-Beck-Humbucker is
controlled by a volume and a tone switch.
All in all,
it is a precisely handcrafted guitar and if I am not mistaken Michael Gštz used
not less than 5 sorts of wood!
Performance
So finally
let us get down to what the name of these guitars suggests: put it in your lap
and slide over the strings with some steel É Due to the over-all appearance and
the applied pick-up rocking sounds like those of David Lindley and Ben Harper
come to my mind. For this I prefer a D-tuning (D,A,D,F#,A,D), a high-gain
amp-setting and full throttle! Yeah Ð this is a heavy sound: bass fills up the
cellar, screamingly high tones cut the air. This really gives you the creeps.
If you turn back a bit the volume-switch, the heavy sound nicely clears up and
turns into a profound rhythm sound, sustain included Ð of course.
Now to something
completely different. Change of style Ð I rely on my favourite country-tuning
(A, C#, E, F#, A, C#) and play something of Hank Williams Sr. (the master of
sadness): a clean amp-setting, treble cut back and some nice reverb on top Ð
yummie! You can literally see the Hank-Williams-sadness É
What I do
not like is the position of the input jack. Put a bit further down towards the
foot of the body, the guitar cable would not be pestering dangling between your
knees. But anyway, at MG GuitarÕs they are surely eager to make any of your
ideas come true.
Upshot
It is good
to know that there is a talented luthier that is crazy enough to spend his time
on that sort of guitars. This Michael Gštz 1A Premium Model looks extravagant,
is perfectly handcrafted, is pure fun and is very versatile. Its price is with
regard to the elaborate construction really fair. So both thumbs up Ð the right
one with pick, of course.